In 1863, where an alternate nineteenth century Europe has made tremendous strides in steam-powered technologies, scientist Lloyd Steam and his son Edward have succeeded in discovering a pure mineral water in Iceland which they believe can be harnessed as a nearly unlimited power source for steam engines. ( January 2016) ( Learn how and when to remove this template message) Please help improve it by removing unnecessary details and making it more concise. As I mentioned before, we saw nothing about the potential good that technology can do and instead we were only shown the bad so it felt like a cop-out to try to tell-not-show again right at the very end.This article's plot summary may be too long or excessively detailed. The line 'the age of science is just beginning' to close it out felt like it wasn't deserved. The ending felt a bit 'and despite all this, everything was okay' despite the fact there's a large swath of London destroyed and a giant pile of mechanical rubble sitting in the river, and (I guess) nearly everyone (even the bad guys) survived? It didn't really sit well with me given what the movie was trying to say.
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It felt like I was being preached to that technology can only be used for greed and evil the entire runtime of the movie, but every so often be told that 'no wait it's not actually bad' but without expanding on that point at all. Given that it very likely wasn't arms-tech, showing the other side of the technological coin would have cemented the movie's anti-war rhetoric much much better. They mentioned the stuff at the World's Fair was incredible (albeit inferior to the Steam Castle), but the movie never showed what exactly was being shown there. That's not exactly something that comes to mind when someone says 'scientific advancement' especially in an 1800s setting. It would have done the movie a lot of good to have cut away and had a section about science being used for good not war because while Ray's grandfather was certainly supposed to be the 'good guy' opposing the creation of war machines/the war economy, it came off as incredibly goofy for it to turn out that his grand vision be a type of amusement park. I did like the angle that both of the 'sides' were basically after the same thing with the SteamBalls, but it felt like it was only that way in order to set up that huge battle towards the end. Basically every single character was the same at the end as where they started which wasn't really compelling to me. Scarlett I guess was supposed to grow but given that her introduction involved punching her dog (TWICE!!) and that she only just got a little nicer to Ray as the movie went along while still upholding her snobby rich attitude the entire time, she didn't grow at all either. Ray came to the conclusion that war is bad about around the halfway point (I think, I wasn't really keeping track of the time) but didn't exactly grow as a character at all aside from that. Ray and Lloyd rush to direct the castle across the Thames, in the process defeating Alfred that is also controlling some gigantic construction claws. Along with the castle that is steered astray from the heated battle, the structure is becoming unstable and could blow up on top of the city. The film eventually leads Ray to steal the ball to develop a makeshift rocket ride, and attempts to obtain entry to a floating while the British Royal Navy tries to shoot it down in vain.
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However, a trial in Russian Alaska goes terribly wrong, with Edward engulfed in freezing cold gases, but ends up in the creation of an odd spherical apparatus. They theorized the water might be harnessed as a possible ultimate power source to run the steam engines.
Scientist Lloyd Steam and together with his son, Edward, have miraculously succeeded, following a lengthy journey and expedition, in discovering the long sought after pure mineral water. The film's setting is in 1863, where an alternate Europe has made significant strides in steampunk-themed innovations and technologies.
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